![]() ![]() Areas shown in white are selected and will be affected by any adjustments you apply. The mask then appears as a black-and-white image. You can view the mask by clicking on the show masks option (2) at the bottom of the interface. PhotoLab then uses this information to create a mask (or selection) of the image within the area selected by the Control Line. ![]() When you release the dropper, that area is sampled by PhotoLab to determine the colour and brightness of point. Using your mouse, click and drag to reposition the dropper. The sample point for a Control Line is a small icon showing an eye dropper (1). This image shows why a Control Line is better than a Graduated Filter for selecting an uneven horizon. But with Control Lines, you have an additional level of control that can produce better results. When you apply an adjustment with the Graduated Filter, the same adjustment is applied to everything in the selection.Where the horizon isn’t flat, you can use Control Lines to produce a cleaner selection.The answer to that lies in two editing advantages. The fact that Graduated Filters and Control Lines have common features may leave you wondering why use Control Lines. But you can also use the new Control Lines for the same purpose, and they share some of the same features. Graduated Filters are great for editing landscape photos where there is a clear, level horizon in the image. ![]() Other editing packages like Lightroom also offer similar tools. If you’re already a DxO PhotoLab user, you’ve probably used the Graduated Filter tool in the past. Control Lines are one of the Local Adjustment tools. Control Lines are a new feature introduced in PhotoLab 5. ![]() In this tutorial, I’ll explain how to use the DxO PhotoLab Control Lines feature. Brilliant Editing with DxO PhotoLab 5 Control Lines ![]()
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